Juno and the Paycock Tickets

"A play that changed American theatre forever.” - The New York Times. Lorraine Hansberry’s iconic play A Raisin in the Sun broke barriers when it was first performed in 1959, becoming the first play by a Black woman on Broadway. Directed by Tinuke Craig, this stirring revival is just as powerful today as it was over 65 years ago. Exploring themes of identity, hope, and resilience, Craig’s direction brought further layers to the poignant script. 

In a rented apartment on Chicago’s South Side, the Younger family is full of hope, dreams, grief, and big plans. Their beloved father has died, and the money from his life insurance policy could change their lives. Audiences have responded with admiration (and a few tears), often giving standing ovations for the heartfelt performances that have illuminated the power and beauty of Hansberry’s words. Closing on the 2nd November, this production has left a lasting impact and reminded us all of the relevance of its themes.

The Buddha of Suburbia (16 November) 

After a spectacularly creative and boundary-pushing run, The Buddha of Suburbia at the Barbican will also take its final bow this month. Based on Hanif Kureishi’s cult 90s novel, this adaptation was lauded as “upbeat, funny, ridiculous and tender” by The Financial Times and “An engrossing love-letter that leaves you on a rare high” in a 5-star review from The Telegraph.

Audiences have loved this high-energy production, which brought to life the eccentric world of Karim Amir and his search for identity in a city buzzing with change. An electrifying soundtrack and striking set design, transports theatregoers to  South London in the late seventies. High unemployment, high inflation, food shortages and strikes. But despite the winter of discontent, 17-year-old Karim’s life is about to explode into glorious technicolour as he navigates a path to enlightenment. Or at the very least, Beckenham. Catch it before it closes on November 18 if you’re in the mood for a whirlwind ride through rock, rebellion, and identity in suburban London.

Opening in 1906, boasts a rich history and a legacy of remarkable performances. Originally named the Hicks Theatre after its first manager, Seymour Hicks, it was later renamed the Globe Theatre before finally becoming the Gielgud Theatre in 1994, in honour of the legendary actor and director Sir John Gielgud.

The theatre has hosted an array of prestigious productions, including the original 1974 production of Alan Ayckbourn's The Norman Conquests and Peter Shaffer's Lettice and Lovage starring Maggie Smith. More recently, it was the home of the critically acclaimed plays; The Curious Incident of the Dog in the Night-Time, To Kill a Mockingbird and The Ferryman. With its opulent Edwardian architecture, the Gielgud Theatre remains a beloved venue for both classical and contemporary theatre.

What are the best seats at the Gielgud Theatre?

The best seats at the Gielgud Theatre are generally considered to be in the Stalls, particularly in the centre section, from Row E to Row M. These seats offer a direct view of the stage without any obstructions, providing a close yet comprehensive view of the performance. 

In the Dress Circle, one level above the Stalls, the seats in the centre of the first few rows (A to C) also provide excellent views, especially for appreciating the full scope of the stage. For those seeking a more economical option, the front rows of the Grand Circle can still offer good views of the stage, though they are higher up.

The overall experience can also depend on the specific production and staging, so checking reviews or seat maps for the particular show you're attending can be helpful.

Gielgud Theatre seating plan